I know that, for most of you, neither Engadin nor Sgraffito have made you any wiser as to what this blog is about, so first, I’ll start off by explaining where and what they are, respectively.
Engadin (pronounced En-Ga-Deen) is a long, towering Alpine valley in the Romansh-speaking canton of Graubünden in southeast Switzerland. The first mention of this valley was in Latin as vallis Eniatina in AD 930; in the Romansh language (one of the four national languages of Switzerland), it is Engiadina. The river running through the valley is called the En or Inn, and it is the only river in Switzerland that runs (via Austria) into the Black Sea. The region is usually divided into lower and upper Engadin, and it is connected to the surrounding regions by several mountain passes.
The second word, Sgraffito, describes a plaster technique that is traditional throughout Engadin: Layers of plaster of contrasting colours are scratched through, creating intricate designs on the facades of buildings (many of the buildings in Engadin towns were built (or rebuilt) in the late 1500s to early 1600s). The word comes from the Italian graffiare, which means to scratch; it can be traced back to the Greek word graphein, meaning to write (from which we also get any words containing the prefix, suffix, or derivative of graph (graphite, typography, graptolite, parallelogram, holograph, etc.). Sgraffito is not only used on buildings to make them look decorative, but it also serves the purpose of making a small feature look larger; on one building, the same floor had different-sized windows, likely installed over generations; the sgraffito was used to give a more uniform look to the façade. The decorations also make a plain building look grander, giving a more opulent impression. One building, pictured below, obviously had two occupants with very different characters back when they were originally decorated…
The basic technique for architectural features is to plaster the façade with the base colour; once that has set, it is then plastered with a contrasting colour; once that has set just enough, the scratching, or carving, begins. This is also a technique used in pottery and in creating stained glass effects (just click on the links if you’d like to see how these crafts are made).
One thing to note is that many old buildings here in Switzerland have dates listed on them: Of when they were originally built, and when they’ve been renovated. Part of the history of such renovations may include fires that swept through villages, or avalanches that buried a layer, or wars, such as the Swabian War and war against the Habsburgs, and the subsequent renovation or rebuilding of the towns or individual homes. Sometimes, along with the dates, a list of past and present occupants will also be displayed, preserving their names and memories within the history and changes of the building itself.
Below are a few pictures taken in Engadin during our recent summer holidays. Enjoy! Feel free to zoom in on the pictures to see the details.
Stephanie Huesler 
Spent many a winter and summer holiday in the Engadine, typically in Pontresina. It’s a beautiful area.
Very cool.
And, of course, our English graffiti comes from the same sources, though the designs painted on buildings and railroad cars in the U.S. are not nearly as pretty or as permanent as those you’ve shown. These are lovely, and I would love to see them in person.
The six-petalled rosette or hexfoil above a door in one of your pictures is a symbol used to ward off evil spirits/ bad luck- it’s got an extraordinary history in that it can be found on Basque grave markers in Basque country but also Newfoundland – it’s also scratched into the walls of English churches and cathedrals and into the walls of Australian barns (!) really fascinating to discover it being used in Switzerland in the 1600s too!
Interesting! The symbol has been around since the Bronze Age, and has had many connotations over the centuries to as many different cultures. It would be a fascinating topic for a history article!