Category Archives: Videos

History Undusted: The Origins of Basketball’s Jump Shot

Everyone who’s seen basketball has seen a jump shot; but at some point in the past, someone came up with the idea of becoming airborne over the basketball court when no one else had ever done it before. And that someone was Kenny Sailors. An unassuming elderly man now, if you passed him on the street, you’d never know that his way of thinking changed a sport forever. Click on the image below to hear his story.

Kenny Sailors

 

Originally posted on History Undusted, 20 February 2014
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Life & all that Jazz: Flash Flood

LimmattalerZeitung May 2018

Credit: © KEYSTONE/EPA MTI/PETER KOMKA

For weeks, my husband and I had marked in our agendas this past Friday as the evening to do a bit of cleaning in our cellar – getting rid of bits & bobs we no longer use.  Nature gave us a helping hand in the decision process (you know the sort: Do we really need this? Should we chuck that?) when our town was hit by a flash flood last Wednesday.  To have a (muddy) tour of our area, just click here. A waterfall came pouring in around the frame of our cellar window, flooding the entire level; every neighbour had the same problem, so we’ve seen a lot of each other this week! Fortunately, our micro-geography kept us from getting a mudslide from the nearby (higher) agricultural and forest areas, and the water only reached 4-5 cm.  Others were not so well-situated, and several underground parking garages were buried in mud baths up to the car roofs; some people had hurried home to avoid hail damage to their cars, only to have them totalled as they were parked inside…

 

The company that handles our property’s administration organized de-humidifiers and large fans for each cellar room, but we had a busy few days trying to assess damage, getting things dried off or off the floor to let it dry out; the only things potentially disasterous were the small freezer we had there (fortunately, we didn’t have much in there at the time!), and boxes of one of our music CDs (ironically, titled “Plausch im Räge” – “Fun in the Rain”!); only the bottom boxes were affected, so I only had to hand-towel-dry 300.  When Friday rolled around, it was quick and easy to downsize our storage! It’s liberating to simplify; we tend to collect things over the years – large plant pots, picture frames that we used to have hanging in our old flat but which have had no wall space here (because of odd-shaped walls in every room), an assortment of hardshell suitcases that weigh more than half of today’s luggage allowance when empty, and so on and so forth. What we could, we gave to a charity shop, and the rest was quickly disposed of at a nearby collection service.  There’s still more to sort out, but we’ll have to wait for the floor to dry completely before we can move things back into place to get to the other half.

I was reminded once again what great neighbours we have; everyone pitched in together, and asked if they could help, or were concerned if others had suffered loss; all of our cellars have been open and drying, and everyone trusts each other with that; everyone is in and out of the other cellars, emptying the dehumidifiers’ tanks when they need them, checking window seals, etc. I’ve lived in areas (e.g. in Paisley, Scotland) where that would simply not have been possible – a nearby neighbourhood, Ferguslie Park, was one of the roughest in the UK, and if you left a bike outside of your flat inside your building, even with a lock, it would be gone within a few hours – or sometimes even minutes.  I hadn’t realised how used to the sound of gunfire I’d become until I moved to Switzerland; when the first national holiday approached and people started setting off fireworks a few days early, I’d just assumed they were gunshots.  Here, neighbours pull together; people greet each other, even strangers, in the streets; and though modern society tends to isolate each of us in our own, busy little bubbles, sometimes it’s a good thing that those bubbles of self-sufficiency, routine and agendas get popped.

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Digital Echo Chambers

This article is longer than my usual blog, but please bear with me; the issues below affect all of us, and they are important to become aware of; after all, you can only keep an eye on something you see.

I watched a fascinating TED talk recently about an African American man, Theo E.J. Wilson, who went “undercover” online as a white supremacist.  He did it in order to try and understand where some of the internet trolls who were attacking him were coming from, and to try and discover where they were getting their “information” and ideas from.  His findings were insightful.

He discovered something that has become more and more obvious to me lately, and that is that we all live online in “digital echo chambers”.  The definition of echo chamber is “A room or other enclosed space that is highly conducive to the production of echoes, particularly one that has been designed and built for this purpose.  An insular communication space that is of no interest to outsiders or refuses their input.”

The echo chamber is harmless, though annoying, when it comes to shopping or interest feeds; but it can be catastrophic when it comes to life decisions and social or political views.

“If you surround yourself with voices that echo similar opinions to those you’re feeding out, they will be reinforced in your mind as mainstream, to the point that it can distort your perception of what is the general consensus.”

Alan Martin, Wired

Echo Chmaber

Big Brother

The question growing in my mind is, am I telling algorithms online what I want to see/hear/learn, or visa versa?  I’ll give a few examples of what I mean:

Sitting at my dining table chatting over a tea with a friend, our cell phones sat off to one side.  We were chatting about holidays, and she spontaneously mentioned Mallorca (Spanish islands).  The next time we looked online, we both had ads for Mallorca.  This has happened many times – that a live conversation in a private home, with no online searches previously made, have resulted in ads, or articles popping up in suggestions; the conclusion is that Google is listening in on your life.  If you don’t have your phone on airplane mode and your cameras blocked (I keep small post-its on both front and back cameras on my phones, as well as my laptop’s camera), chances are you’re giving away a lot more than you want to.  If you tend to say your passwords out loud as you’re typing them in, you may be giving them away.

Facebook & co.

Facebook, theoretically a social media site to connect with your friends, in reality decides what it is you see, and whose activities you see in your feed.  I haven’t been on Facebook regularly for several months now as I removed it from my home tabs on my browser; that one move has saved a lot of time otherwise being wasted!  Now, when I look on Facebook, I literally see the home feed activities from only a handful of friends out of 300+; most of what I now see in my home feed is Facebook ads, FB suggestions, memories they’ve selected, and unrelated video stream suggestions.  They’re trying to draw me in; but they’ve missed the memo that I’m only there for real connections with friends, and I intend to keep it that way.  Maybe I should turn on my phone’s Wi-Fi and say that out loud… [Keep in mind that Facebook, or Amazon, or Google are not “they” as in human faces seeing your information; they are algorithms designed to harvest it.]

The more time you spend online, the clearer your digital fingerprint becomes; the more the algorithms know about your likes and interests, the more they will feed you just that information.  The dark side of this is that, if someone has temptations in a particular area, they will be bombarded by tailor-made algorithmic choices, guiding them toward the thing they may be trying to avoid.  A recent article in our local newspaper stated that, according to Netzsieger, a comparison portal, 25% of all searches online are related to pornography.  Let that statistic sink in a moment.

.Com is not .Com

And were you aware of the fact that, if you are outside of the borders of the US, a certain monopolistic shopping portal beginning with “Amaz” has been discriminating against you?  The prices you see are not the prices an American within the borders of the US are seeing.  I found this out recently when I was running a sale on one of my books; the sales price was 99 cents; the usual price is $2.99.  But when I went on (I am a registered kindle customer at .com) to see if the sale had begun, the only price I saw was $3.56.  That’s nearly a 20% price increase; no sale in sight.  When I asked them about it, they gave a fluff algorithmic answer, but did not address the real issue.  And they never answered my question whether I, as author, am being paid commission on the higher price or not.

It makes me wonder what else they’re not telling me as both author and as customer, and what else they’ve been charging me more for (likely, everything) than if I lived within the borders of the US; as a result, I’ve taken my online shopping elsewhere.  I will be doing further investigation into this, and if you do online shopping, I would recommend you do the same, and call them on the carpet about it – write complaint emails, and make your voices heard!  Have friends in other countries check out the prices on the same website and product, and compare.

[Now I have another example of the digital eavesdropping:  I’ve been typing up this article in my Word program on my laptop – not directly into the WordPress blog; when I went onto Google to refresh my memory about percentage calculation, I began typing in, “how to calculate” – and it filled in “percentage” – with NO previous such search on my part… they didn’t choose “exchange rate” or any other more common option of mine…]

Breaking Out

So, how can we break out of our digital echo chambers and mess with the results of algorithms?  There are quite a few ways, actually:  Below are a few links to articles about that very topic.  I would encourage you to get informed, and put into action various methods to burst the digital bubble, and breathe in the fresh air outside your echo chamber.

Five Ways to Break Out of Your Online Echo Chamber

You can break out of your echo chamber – and here’s how

How To Break Out Of An Echo Chamber – Your Bubble

 Escape the echo chamber: How to fix your Facebook News Feed

5 Super Easy Ways to Eliminate Your Echo Chamber

Fake news, echo chambers and filter bubbles: Under-researched and overhyped

 

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History Undusted: A World War II Love Story

Once in a while I come across amazing stories; this one is truly one of dedication, perseverance, love, and gratitude.

Peggy and Billie Harris were married just 6 weeks before he was sent off to war as a fighter pilot over Nazi-occupied France in the Second World War.  Six decades later, Peggy finally found out what happened to him, no thanks to her own government.  Deep gratitude to, and a friendship with, a small French village is just one result of her amazing patience and quest for the truth.  Click on the picture to hear about this amazing story. (9½ minutes long, 3-part story)

 

Peggy and Billie D. Harris, 1944

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Odd Jobs #7: Fragrance Chemists to Gumologists

This week’s lineup of oddball jobs includes a literal odd-ball job:  Diving for lost golf balls.  That might seem like a perfect job for someone who loves the outdoors and diving – that is, until you face alligators in Florida (and yes, the video footage is real).  I think it would be a cushier job (pun intended) to be a furniture tester.  Being a greeting card writer might be fun for awhile, but I think it would be difficult to stay fresh year in, year out, unless you could switch “genres” – if that term doesn’t exist in the greeting card industry, I think it should:  Birthday & anniversary genre; condolence genre; or flippant, schmaltz, generic, and even hate-mail genres.  Can you think of others?

Odd Job - Golf Ball Diver, Nancy Rica Schiff

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Odd Jobs #6: Face Feelers to Fortune Cookie Writers

I can’t believe it’s Saturday again already!  Our exchange student teen is off to France for a fortnight, so we’re breathing the air of liberté!

Taking a break from the current daily post challenge, here’s the next lineup of odd jobs:  Some can earn good money, such as being a Foley Artist for Hollywood, while others are as obscure as you can get, like being a fish sampler.

In doing the research for this article, I was shocked to find out just how prevalent fake Facebook accounts are; it says a lot about the superficiality of modern culture, and how much need there is to have our feet firmly planted in reality.  It is a known phenomenon that Generation Z (Millennials – enjoy this song by Micah Taylor) seems to get their own sense of worth online; but the number of likes, follows and subscribers should never reflect how much someone is worth, or valued; they need more of us to value them in real face-to-face time, or to express it via the virtual world in uplifting words of encouragement.

So enjoy this list of oddball jobs, and click on their links to learn more.  Then help make the world a better place:  Think about how you can encourage someone today!

Odd Job - Fake Facebooker

  • Face Feelers, also known as ‘sensory scientists’: Trained to use their hands and judge the effectiveness of products like lotions, facial cleansers, and razors. 
  • “Fake” Facebooker (According to Wikipedia, 7% of Facebook users were not real in August 2012). As of October 2012, Facebook crossed the 1 billion user-mark, which means that no less that 87 million accounts are fake.  Their “job” is either to con someone out of personal information in order to steal identities, or to amass “likes” for a video or personality to help them go viral, reaching fame or notoriety.
  • Fireworks Salesman
  • Fish Sampler
  • Flatulence Smell Reduction Underwear Maker: Tasked with engineering underwear that reduces the typically unpleasant post-fart stink for people who suffer from gastrointestinal problems.
  • Flavorist
  • Floating Architects: Design amphibious houses, which can float on water. With waterfront real estate becoming a scarcity, their market niche may grow in the coming years.
  • Foley Artist: Use whatever they can find to create and record the noises used to make the sound effects in films, like heavy footsteps, rolling thunder or creaking doors.
  • Food Stylist
  • Fortune cookie writer: Hired as freelancers or in-house writers to come up with inspiring or witty fortunes. EHow.com estimates that these professionals earn around $40,000 a year.

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Deaf Space

Take a moment to stop what you’re doing, and close your eyes:  What do you hear?  A tea kettle? The hum of your computer?  a television?  A car driving by?  All of these sounds tell you something about your environment:  That water is boiling; that your computer is working well, or struggling, or processing something that makes it slower at the moment; that someone, perhaps in another room, is occupied; that traffic is flowing, or that it might be dangerous for children outside at play.

Now take away all those sounds.  It can be disorienting; it makes you feel insecure.  It also makes you more alert to other environmental cues, and to your other senses – particularly sight.  If a person mumbles, or turns away, or moves their hand across their face while speaking to a deaf person, communication is disrupted.  People can be sensitized to the challenges, but can architecture?  Yes.  It can be made suitable for various perceptions and perspectives.

When I lived in Scotland, I translated regularly (BSL) for the deaf in our church, and would hang out with deaf friends sometimes.  Some of them lived in a flat complex designed for the visually or auditorily-impaired, with bold red counter tops, light switches and phones to help them navigate, as well as light signals for various things such as the door bell or the phone ringing.  The deaf sports club was a wide-open space, with room for a large crowd to chat in groups; as a hearing person, it was a unique experience to be in a crowd of signing people:  There are few secrets in the deaf community, because even across the room one can understand the conversation; and though we were all signing, it was not quiet – sounds made with the mouth to support the sign, or the slap of skin on skin, or a laugh, or the shifting of clothing could be heard.

Look at the layout of your room, or office:  If your interaction with the people around you needs to be visual, what could potentially hinder it?  A solid wall, a glaring light fixture, blind corners, stairs (which must be focused on, to navigate), or a narrow passage that makes it difficult to walk side by side, signing.  Deaf architects have begun incorporating their unique considerations into designs, and they not only offer a unique perspective on architecture but, by doing so, have created some stunning spaces:  Deaf Space.  To see a short video on the topic, please click here.  Do yourself a favour, and watch the video at least once without sound.  Below are a few images of deaf space from Google Images.

As a writer, it is always fascinating for me to explore new perspectives, and to try to see the world around me through the eyes of others; doing so enriches the writing experience, and opens new possibilities in developing characters, environments, or situational elements.

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The Art of Listening

ListeningAs a writer I’m constantly on the lookout for ways to improve any of my skills, be they technical, linguistic, goal-oriented (such as the skills it takes to publish a book), or basic.  Listening falls into the latter category; it’s something all of us do, yet all of us can improve on.  I don’t think I need to mention the fact that we are a generation on information overload; media screams at us to get our attention, whether through the use of power-punching, gut-wrenching headlines, or power-words written in ALL CAPS! with the appropriate punctuation, or flashing ads that give us no peace until we either turn them off or leave the website they’ve invaded.  Adds flash at us constantly whether on TV, in shops, on the internet, or driving down the motorway.  Eventually we become numb and stop listening.  We put in our ear-buds, turn on a song of our choice and try to tune out the rest of the world, at least for a moment.

By improving listening, I am not implying that we toss out our MP3 players and force ourselves to listen to everything in case we miss something important.  We must all use discretion about where our “focus energy” goes.  But by improving our listening, we can begin to hear the quieter, more subtle elements; we can focus our ears and minds to perceive things that might be more worthwhile than the noise that vies for our attention.  Conscious listening creates understanding.

I recently listened to a TED talk by Julian Treasure on five exercises to improve listening; I share them with you here; click on the image above if you’d like to watch the talk yourself:

1)  Silence:  For at least three minutes a day, try to find a place of complete silence (if not possible, at least aim for very quiet).  It helps to recalibrate your ears, so that you can actually hear the quieter things once again.

2) Mixer:  In a noisy environment, whether a café or sitting by a stream, practice focusing your ears on one sound, then another;  It will improve the quality of your listening.  I use this technique with singing students; before they begin rehearsing with a song we will analyse and dissect it instrument by instrument, verse by verse, vocal by vocal.  The more they become aware of this process, the better they will understand how their vocals fit into the bigger picture as both a wind- and stringed instrument.

3)  Savouring:  There’s a “hidden choir” all around you; focusing on such mundane sounds as the dish washer or the coffee machine can reveal rhythms and build an appreciation of the simpler things in life.  Sound technicians for films use this as their greatest tool; because they’ve trained themselves in this area, they know they can combine the squishing of an orange, the grating of a cinder block across a corrugated iron sheet and the distortion of their vacuum cleaner’s sound to come up with a monster ala the Balrog of Lord of the Rings, or scraping keys along a piano wire to land Dr. Who’s TARDIS.

4)  Listening Positions:  This is the idea that you can shift your position (“level” of listening) according to what you’re listening to:  active/passive, reductive/expansive, critical/empathetic.  These adjust certain filters that we all have, such as culture, language, values, beliefs, attitudes, expectations and intentions, which increasingly focus our listening from all “sounds” down to things we specifically listen to.

5) RASA:  An acronym for Receive (i.e. paying attention to the person), Appreciate (giving verbal feedback such as small sounds of agreement or interest), Summarize (feedback of what you’ve understood), and Ask (ask questions afterward).  Practicing RASA will improve not only how we listen, but our retention of information.

Listening is one of our five senses, and one that’s worth exploring in writing; when a reader can become absorbed in the sensations of a scene – hearing, smelling, seeing, feeling and tasting the environment through well-chosen words – they will be invested in the story, and care about what happens next.

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The Jabberwocky and the Totemügerli

Unless you’ve been living under a rock, chances are you’ve heard of Alice in Wonderland; at the least your curiosity might have been piqued enough to read it after seeing The Matrix, or be mistaken in thinking that you don’t need to read the book if you saw Tim Burton’s film with Johnnie Depp.  The sequel to Lewis Carroll’s most famous work (mentioned above), called “Through the Looking-Glass, and What Alice Found There“, written in 1871, contains the famous nonsensical poem called the Jabberwocky, which I present here:

“Jabberwocky”

‘Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogoves,

And the mome raths outgrabe.

“Beware the Jabberwock, my son!

The jaws that bite, the claws that catch!

Beware the Jubjub bird, and shun

The frumious Bandersnatch!”

He took his vorpal sword in hand:

Long time the manxome foe he sought—

So rested he by the Tumtum tree,

And stood awhile in thought.

And as in uffish thought he stood,

The Jabberwock, with eyes of flame,

Came whiffling through the tulgey wood,

And burbled as it came!

One, two! One, two! and through and through

The vorpal blade went snicker-snack!

He left it dead, and with its head

He went galumphing back.

“And hast thou slain the Jabberwock?

Come to my arms, my beamish boy!

O frabjous day! Callooh! Callay!”

He chortled in his joy.

‘Twas brillig, and the slithy toves

Did gyre and gimble in the wabe;

All mimsy were the borogoves,

And the mome raths outgrabe.

Many of the nonsensical words are what Lewis Carroll (aka Charles Lutwidge Dodgson) coined Jabberwockyas “portmanteau words” meaning the combination of both sound and meaning of two words into one; e.g. frumious being “fuming” and “furious”.  Some of the words have since made it into the English language, such as galumph or chortle, while some were words he revived, such as gyre and beamish.  And personally I think some of his words deserve wider use, such as brilling, slithy, snicker-snack and Bandersnatch!  Click on the photo to the right to hear the poem read.

 

Now… “what is the Totemügerli,” I hear you ask?  It is the Swiss-German version – not a translation, but an original story by Franz Hohler, a Swiss cabaret performer; Bernese German, to be more precise.  Bern is the political capital of Switzerland, and historically has one of the richest, most colourful dialects of all the Swiss German dialects; I am fluent in the Zürich dialect, and can understand all the other Swiss-German dialects, including Walliserdïïtsch, which is the oldest of all Swiss dialects; and I can guarantee you that the Totemügerli story is 90% nonsense, and yet tells a clear tale!  For those of you interested in the text, here it is:

Ds Totemügerli

von Franz Hohler

Gäuit, wemer da grad eso schön binanger sitze, hani däicht, chönntech

vilicht es bärndütsches Gschichtli erzelle. Es isch zwar es bsungers

uganteligs Gschichtli, wo aber no gar nid eso lang im Mittlere

Schattegibeleggtäli passiert isch:

Der Schöppelimunggi u der Houderebäseler si einischt schpät am Abe,

wo scho der Schibützu durs Gochlimoos pfoderet het, über s Batzmättere

Heigisch im Erpfetli zueglüffe u hei nang na gschtigelet u gschigöggelet,

das me z Gotts Bäri hätt chönne meine, si sige nanger scheich.

«Na ei so schlöözige Blotzbänggu am Fläre, u i verminggle der s Bätzi,

dass d Oschterpföteler ghörsch zawanggle!»

«Drby wärsch froh, hättsch en einzige nuesige Schiggeler uf em Lugipfupf!»

U so isch das hin u härgange wie nes Färegschäderli amene Milchgröözi,

da seit plötzlech Houderebäseler zu Schöppelimunggi:

«Schtill! Was ziberlet dert näbem Tobelöhli z grachtige n uuf u aab?»

Schöppelimunggi het gschläfzet wie ne Gitzeler u hets du o gseh. Es

Totemügerli! U nid numen eis, nei, zwöi, drü, vier, füüf, es ganzes

Schoossinjong voll si da desumegschläberlet u hei zäng pinggerlet u

globofzgerlet u gschanghangizigerlifisionööggelet, das es eim richtig agschnäggelet het.

Schöppelimunggi u Houderebäseler hei nang nume zuegmutzet u hei ganz

hingerbyggelig wöllen abschöberle. Aber chuum hei si der Awang ytröölet,

gröözet es Totemügerli:

«Heee, dir zweee!»

U denen isch i d Chnöde glöötet wie bschüttigs Chrüzimääl dure Chätschäbertrog.

Düpfelig u gnütelig si si blybe schtah wie zwöi gripseti Mischtschwibeli,

u scho isch das Totemügerli was tschigerlisch was

pfigerlisch binene zueche gsi. Äs het se zersch es Rüngli chyblig u

gschiferlig aagnöttelet u het se de möögglige gfraget:

«Chöit dir is hälfe, ds Blindeli der Schtotzgrotzen ueche z graagge?»

Wo der Schöppelimunggi das Wort «Blindeli» ghört het, het em fasch

wölle ds Härzgätterli zum Hosegschingg uspföderle,

aber der Houderebäseler het em zueggaschplet:

«Du weisch doch, das men imene Totemügerli nid darf nei säge!»

U du si si halt mitgschnarpflet.

«Sooo, dir zweee!» het ds Totemügerli gseit, wo si zum Blindeli cho si,

u die angere Totemügerli si ganz rüeiig daaggalzlet u hei numen ugschynig ychegschwärzelet.

Da hei die beide gwüsst, was es Scheieli Gschlychets ds Gloubige

choschtet u hei das Blindeli aagroupet, der eint am schörpfu, der anger a de Gängertalpli.

Uuuh, isch das e botterepfloorigi Schtrüpfete gsi!

Die zwee hei gschwouderet u ghetzpacheret, das si z näbis meh gwüsst hei,

wo se der Gürchu zwurglet.

Daa, z eis Dapf, wo si scho halber der Schtotzgrotzen

uecheghaschpaaperet si, faht sech das Blindeli afah ziirgge u bäärgglet mit

schychem Schtimmli:

«Ooh, wie buuchet mi der Glutz!»

Jetz hets aber im Schöppelimunggi böös im Schyssächerli gguugget.

Är het das Blindeli la glootsche u isch der Schtotzgrotz abdotzeret,

wie wenn em der Hurligwaagg mit em Flarzyse der Schtirps vermöcklet hätt.

«Häb dure, Münggu!» het em der Houderebäseler na naagräätschet;

u de het er nüt meh gwüsst.

Am angere Morge het ne ds Schtötzgrötzeler Eisi gfunge, chäfu u tunggig

wien en Öiu, u es isch meh weder e Monet gange,

bis er wider het chönne s Gräppli im Hotschmägeli bleike.

Totemügerli u Blindeli het er keis meh gseh sis Läbe lang, aber o der

Schöppelimunggi isch vo da a verschwunde gsi.

S git Lüt, wo säge, dass sider am Schtotzgrotzen es Totemügerli meh desumeschirggelet.

If you’d like to hear it read out by Franz Hohler himself, in a cabaret show recorded during the ’80s, just click on the image below.

 

Totemürgeli, by Willy Vogelsang

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The Handshake of Character Development

business.gov.au, the Australian Government's dedicated business website1Have you ever stopped to consider the handshake?  It is a non-verbal form of communication, and it can tell you volumes about a person.  It is usually the first contact in a face-to-face transaction, used not only as a greeting form, but as an aid in assessing the other person’s confidence, assertiveness, aggression, or social skills.  What if the handshake is weak or strong, clammy or crushing?  Is it too short (which sends the signal that the person who breaks off the touch either disdains or disrespects the partner), or too long (which is an invasion of private space, too intimate, or disconcerting – it can even interrupt verbal exchange if it’s too awkward)?  Is it a neutral-valued exchange, or does the touch signify some ulterior motive (power-play, intimidation, invasion of the partner’s intimate sphere, a sexual connotation, etc.)?  What difference does it make for any of the above factors to take place between partners of the same sex vs. the opposite sex?  In other words, if two men shake hands and one is crushing, what message comes across differently if the partner being crushed is a woman?  Different cultural interpretations enter into the equation as well, as touch signifies various things in various cultures.  What difference is there to a handshake with a superior or authority figure to that of a peer or inferior?  What if the superior is a woman shaking the hand of a man of lower rank?  Or a woman of lower rank?  Or a man from a culture that does not recognize women as authority figures?

When developing a character for a novel, the handshake can be a telling gesture.  Even if none of the above questions are answered explicitly in your manuscript, just answering the questions for yourself can go a long way to your own understanding of the character, and how you want to express them to your readership.  So the next time you shake someone’s hand, alert your writer’s mind to take notes – putting those feelings into words develops your senses far more than simply identifying those feelings.  There have been a lot of studies on body language, particularly in the field of international business.  For a humorous yet telling video of the “Top Ten Bad Business Handshakes”, click on the image above.

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