Category Archives: Science & Technology

What Rubber Ducks Tell Us about the World

Before we dive into today’s topic, let’s talk about two of my favourite words: Flotsam and Jetsam. I just love the way they sound! The way I understand them, the difference between the two is intention: Flotsam are things unintentionally donated to the sea – things washed overboard from a ship, or things blown off land by a storm. Jetsam is rather something intentionally jettisoned – if a ship needs to lighten its load to avoid sinking, for instance; in the case of the great garbage patches, it is a mixture of both: Without proper disposal systems in place, such as municipal garbage disposal, or education in ecological footprints, social debris is simply tossed and forgotten. But it ends up somewhere, often finding its way to the ocean through rivers and streams. And this leads us to the topic of ocean currents.

Today’s topic is a fascinating dive into a world of global trade; research has shown that around 90% of international trade is carried by shipping containers, and the World Bank statistics show that in 2019, nearly 800 million were shipped annually; given the increase over the past few years in online shopping, I can imagine that figure is by now significantly higher. The unit used for measuring how much a ship can carry is TEU (Twenty-foot Equivalent Unit); the chart below shows the adaptation of ship sizes over the years, driven by global trade:

Now, imagine a shipping container stacked at the top of a pile that’s the height of the actual ship; add to that ocean swells and waves. I’ve been on ships in the Atlantic facing waves so high, I could count fish through my window. I’ve been on ships in the “Sailor’s Nightmare” – the Pentland Firth passage between Scotland and the Orkney Islands – which is characterised by rough bathymetry (the underwater equivalent to topography) and extremely high currents (which also ricochet and collide off of the coasts of the islands and Scottish cliffs), tossing anything on the surface like a leaf in the wind. The World Shipping Council estimates that, over the past 16 years, an average of 1,500 containers have been lost at sea annually. Every year, the contents of those containers are carried along until the container is breached by either corrosion or impact. Then the contents are carried by ocean currents; where they finally make landfall depends on where they entered the ocean. If you were marooned on an island and tossed out an SOS in a bottle, it could make landfall anywhere between two and one hundred years – or never, if it’s caught in a gyre (more on that later). A message in a bottle was found on a beach in Norway that had been sent off 101 years earlier.

So what does that have to do with rubber ducks? In 1992, a shipping container with a consignment of what has been dubbed Friendly Floatees – 28,800 yellow rubber ducks, red beavers, blue turtles and green frogs – was washed overboard (along with 11 other containers) into the Atlantic. Because they are designed to float on water, they have survived at sea for an amazingly long time. Seattle oceanographers Curtis Ebbesmeyer and James Ingraham, who were working on an ocean current model, OSCUR (Ocean Surface Currents Simulation), began to track their progress; and those wee toys went on all kinds of adventures: Ten months after they broke free, some began showing up along the Alaskan coast; some showed up in Hawaii; some went to see the site of the Titanic sinking before getting frozen into ice, eventually emerging again and travelling to the US eastern coast, Britain and Ireland, making landfall around 2007. The researchers contacted coastal regions, asking beachcombers to report their finds; they recorded findings and began to accurately predict where landfall would occur. Over the years, the ducks and beavers had faded to white, but the blues and greens had retained their colours.

Flotsam and Jetsam have played key roles in helping researchers understand not only how ocean currents travel, but also how the areas known as garbage patches, oceanic gyres, are formed and retained by the swirl of ocean currents. Currently, five patches are known; many of the rubber ducks are likely caught in such currents, so we may hear about more white ducks finding their way to beaches in the coming years.

So the next time you see a rubber duck, think of all the adventures its siblings have been on!

If you’d like to see for yourself how ocean currents work, click here for an interactive map; just click on any area of the map to see how and where the currents carry debris from that point.

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Etymology Undusted: Murphy’s Law

The adage “Murphy’s Law” refers to the idea that anything that can go wrong will go wrong. You forget your umbrella and it will be sure to rain; your computer crashes at the worst possible moment; your worst itch is always where you can least reach it, and so on.

Similar sentiments are centuries old: E.g. Augustus D. Morgan, a British mathematician, wrote in 1866: “Whatever can happen, will happen”; Alfred Holt, an engineer, wrote in 1877: “It is found that anything that can go wrong at sea generally does go wrong sooner or later.” British stage magician Nevil Maskelyne wrote in 1908, “Everything that can go wrong will go wrong.”

But who was Murphy? And why is it his law? I’d always assumed that Murphy was either a fictional black sheep created to blame everything on, or someone from a century or more ago, much like Hobson of the “Hobson’s Choice” idiom; but Murphy’s Law comes from the 1940s aerospace era.

The “law” was coined by and named after Edward A. Murphy Jr. (b.11 January 1918; d.17 July 1990):  Born in the Panama Canal Zone in 1918, he finished high school in New Jersey and eventually graduated from West Point in 1940, joining the Army Air Corps, serving in the Pacific Theatre of World War 2, and in the Korean War, reaching the rank of major. According to his obituary on findagrave.com, he is credited with design work on crew escape systems for some of the most famous experimental aircraft of the 20th century, including the F-4 Phantom, the SR-71 Blackbird, the X-15 rocket plane, and later the Apache helicopter. He also worked on safety and life support systems for NASA’s Apollo space missions. Although he was apparently chagrined by the namesake, he believed in the concept as a key to good defensive design – that one must always assume worst-case scenarios and work to counter them in thorough planning, engineering and execution of mechanical designs.

Around 1948, Murphy and his team were testing rocket sleds, which were used to test the acceleration of equipment deemed too hazardous to test in a piloted aircraft and also to test missile components without risking actual (more expensive) missiles in the testing. The saying arose when training his engineers to avoid designing missile components that could be confused one for another; he said, “If a part can be installed in more than one position, it will be incorrectly installed in the field.” Perhaps Murphy was familiar with the sentiment of those past engineers, given his background in engineering, but wherever it came from, his name was attached and, as they say, the rest is history.

Edward Aloysius Murphy Jr, in his West Point uniform

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History Undusted – The Tactile Language of the Quipu

Throughout history, languages have come and gone; an estimated 30,000 have existed at some point in time, though currently, there are roughly 6,000 to 7,000 languages in use – and most are threatened with extinction. Think about that. The impact on the loss of cultural history, connection to ways of thinking, ways of communicating, and ways of processing information; senses of humour, and national heritages will be lost.

An example of a language nearly lost, but which is now familiar to most of us by sight, is the logogram language of Egyptian hieroglyphs. The knowledge of how to interpret the symbols had been lost for centuries, until 1799, when a stone was found near Rosetta, along the Nile Delta in Egypt; the stone was a stele with a decree issued in 196 BC; the texts carved into the stone were Ancient Egyptian (“demotic” text), hieroglyphs, and Ancient Greek. Because Greek was a known language, they could use the Rosetta stone to decipher the forgotten languages.

When we think of writing, we may think of various alphabets: Greek, Roman (of which English makes use), Norse Runes, or the logographic or ideographic languages of Asia, such as Chinese or Japanese, or the cuneiform writing of the Ancient Near East. But did you know that there have been languages based on string?

Quipu in the Museo Machu Picchu, Casa Concha, Cusco. Source: Wikipedia

The Inca people, in the region of modern Peru and Chile, used knots on an elaborate system of connected strings or cords for collecting data, keeping records, recording taxes or census records, making calendars, or for military organisation. When the Spanish Conquistadors swept through, they found numerous bundles of strings, but had no idea of their significance; they destroyed many of the quipu*, not realizing that they might have held in their hands a record of an individual’s wealth in animals or crops. [*Quipu is the Spanish spelling used in English; it is also spelled khipu or kipu.] Other cultures have also used similar concepts with knotted strings to record information, unrelated to South America; these include China, Japan, Taiwan New Zealand, Hawaii, and other parts of Polynesia.

As with most textiles, they unfortunately didn’t stand the test of time very well, and only a fraction remains today. The ancient world may have taken the concept of the quipu one step further in creating the more flexible abacus, though the latter was (and is still) used for temporary calculations, while the former was rather for recording information. Whether or not there is a historical link, both are visual tools that can be used for similar functions to a certain extent.

Even with such widespread use of these knotting records, their meaning was nearly lost, until a Harvard student, Manny Madrano, had time on his hands one summer and solved a centuries-old mystery!

For an interesting video on this topic, please click here. I hope you’ve learned something! Keep being curious about our fascinating world!

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Nature Undusted: The Phenomena of Ghost Lights

Pixar’s “Brave”, showing will-o’-the-wisps.

Back in January, I wrote about the phenomenon of the Hum, something that occurs around the world.

Another global phenomenon is that of “ghost lights,” also known as fata morgana, mirages (both inferior and superior), will-o’-the-wisps, fairy fires, or ignis fatuus (“foolish flame”).

I grew up in a climate zone with hot, dry summers and wide, flat highways that stretched to the horizon. On a hot summer day, you could see the cab of a semi-truck floating mid-air for some distance before you actually saw the truck finally touch the ground. Sometimes the highway would look flooded – this kind of water mirage is also a danger in desert regions. Death Valley is dangerous, not only because of the heat but also because of disorienting mirages.

Ghost Lights can have a variety of natural causes: methane gas combustion or other organic decay which can cause photon emissions (these lights often appear over swamp or boggy areas); light refraction in certain atmospheric conditions that cause the lights of cars on distant roads or firelights from campfires to “float” midair (like the semi-truck cab above); it may also be caused by the bioluminescence of various micro-organisms and insects.

Here are a few well-known lights:

Marfa Lights

Hornet Spooklight

Gurdon Light

Brown Mountain Lights

Hessdalen Lights

Min Min Light

Naga Fireballs (Thailand)

Palatine Light

Paulding Light

Chir Batti

St. Louis Ghost Train (Canada)

 plus many more!

For a fun dive into these phenomena, the Why Files has a video covering the topic (the actual content starts at 4:15); I enjoy his videos because the author in me likes the way he sets stories up as real – as if reporting facts – before he debunks them or offers probable explanations. While he knows that many people likely believe in the stories he eventually debunks, he goes about it in a respectful, tongue-in-cheek way.

For a shorter video on the topic, Joe Scott has an interesting one.

Have you ever seen any of these lights, or experienced mirages? If so, please tell us about it in the comments below!

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Yuka: Shaken Awake

All of us can relate to having some form of ruts in our lives: Favourite meals, restaurants, seats in places we visit often, clothes we prefer, products we buy, food brands or makeup brands (if you wear it); all, patterns of movement or place or things. Recently, I heard of an app that made me curious to try it out; when I did, it was an eye-opener about how many things I use that I’ve taken for granted that their claims are accurate – I know that’s naïve, but part of that naivety is that greatest of marketing tools, willful ignorance.

Case in point: Speaking to the women out there, you probably have favourite makeup products or brands that you’re used to. But what if you found out that half of their ingredients build up in your system, damaging your liver, your thyroid, and the environment? That’s exactly what I have learned lately, and it’s shaken me awake: the app I cannot recommend highly enough is called Yuka. If I had known years ago what I know now, perhaps I would still have a thyroid; tumours put an end to that several years ago – but I can prevent further damage to my body by being aware of what’s in a product and buying safe alternatives.

The app works like this: You scan a product’s barcode – anything from food items to makeup to body products such as shampoos and hand creams; the app then ranks the products on a set list of 100 points and tells you whether it’s excellent, good, poor or bad; it then lists the ingredients and gives you the option to read more about each one, ranking the ingredients (colour-coded) as hazardous, moderate risk, low risk, or risk-free. If the products rank as poor or bad, below them will be a list of alternative products, with their rankings and ingredients for further information. The recommendations are unbiased as they are not supported by any company. The app also keeps a record of products I’ve already scanned; if I’m at the store, and scan products I don’t buy because of their rating, I can then delete one or several items from the list to keep it streamlined to my products/foods.

There are things that this app is NOT: It is not a substitute for medical or nutritional advice; it is not the be-all and end-all for telling you what to buy. But what it IS: A good guide to weighing the benefits vs. the disadvantages of using one product over another. Some of my products may clock in as “poor” – but when I consider why that rating is given, I may decide to continue its use until something better becomes available in my area.

For me, I’ve found that one ingredient pops up in most makeup and hair products: Phenoxyethanol; it is listed as a potential endocrine disruptor, potential allergen, and irritant. In the EU its use in cosmetics is regulated – but not in the USA or in Canada. In itself it may be within regulatory limits in a product; but accumulatively (several products, from shower gel to lip balm to foundation) it exceeds the limit and becomes a health concern. Knowing this has helped me find new, healthier products. Even within a product range, the ingredients may vary; for example, one lip balm may be good, but another colour of the same brand differs to produce the colour or gloss and ends up being listed as bad. Honestly, I won’t buy a product now without knowing it’s healthy. It’s not that I can’t and won’t think for myself and let an app tell me what to do, but I can use it to weigh a decision.

This past week, I wanted to find a lip gloss to replace the one I’d been using which was marked as “hazardous”; but the store I was in didn’t have customer wi-fi, so I bought a small Vaseline, thinking, “This has been around for ages, so it must be simple and safe”. Wrong. When I got home, I scanned it: Petrolatum is the mineral oil used, which has a moderate risk with a big BUT: this oil may contain problematic residues, such as MOAHs (genotoxic carcinogens which promote cancers and damage DNA) and MOSHs (these accumulate in the body, particularly lymph nodes and the liver). These oils should be avoided, especially in products that may be ingested… such as lip balms (and these two residues were present in half of all tested lip balms!) So now, that little jar is in my craft room to be used as a lubricant for my tools.

We all need to take steps to protect ourselves; big companies are not putting customers first, but customers’ wallets. If we don’t shake ourselves awake and work against our own willful ignorance, we shouldn’t be surprised when health issues pop up; but who would associate lip balms and blush and hand creams or canned foods and pre-made packaged food with those bigger issues? We need to start looking into it for our own sakes.

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Fieldnotes

A few months ago, I began something that has added a layer of creativity and organisation to my life which, to be honest, is fairly creative and organised as it is. But this little addition adds a nice colour: Fieldnotes.

The original concept of taking fieldnotes comes from the scientific disciplines: An archaeologist in the field, taking notes on where, what and when something was uncovered; a geologist, botanist, ornithologist, or entomologist taking notes on observations, perhaps drawing an illustration of a specimen or a map of the landscape.

Fieldnotes can include writing, diagrams, drawings, or visual clues within an entry such as arrows or other visual connectors. They differ from a daily journal in that the fieldnotes are concise… rambling or expanding on a thought belongs elsewhere, but not in a “quick-draw” situation (pun intended).

Creative thinkers have jumped on the idea for reasons other than scientific observation: As a writer, fieldnotes help me capture snippets of ideas, dialogue, or an observation when out in public (I love to people-watch), or something I read – sometimes the comments on YouTube videos are a great capsule of humour! I also use fieldnotes to keep track of tasks on a busy day – lists of to-dos, to-writes, and so on. When I have a creative project, I take notes on the steps taken – such as making giant flowers that no one else has ever made; how to scale up a smaller version of a crepe paper flower is not always straightforward, and if I have several to make, it helps to have those detailed notes of the prototype phase for the next time around.

Taking fieldnotes might help get your creative juices flowing. If you’d like to start this practice, here are a few tips:

  1. Use a small notebook – one that can fit into a shirt pocket, man-bag, or purse. I’ve made my own with 70gsm blank paper, which allows me to make the same size and style repeatedly. But if you can’t do that, just use something like a moleskin notebook; these come in various sizes, with or without lined pages. There is also a company with books called Field Notes, though they seem a bit pricey for what you can do on your own…
  2. Use a good pen, or pencil, or coloured pencils if you want to sketch something with colour.
  3. You can either take chronological notes, such as dating each entry, or you can organise your notes into groupings: One page per character, scene or topic, or for a to-do list, or whatever you want to capture on the go.
  4. Use visual cues, such as boxes around certain elements or arrows connecting one thing to another. Use illustrations or draw diagrams; attach images from magazines, printouts, etc.
  5. Highlight tags or keywords; consider numbering each page and keeping an index at the back of the book to help you find things later on.
  6. One book that might help kick-start illustrative note-taking if it’s new to you is The Sketchnote Handbook, by Mike Rohde.
  7. Think about how you’re recording things on the page: Do you always want to write straight, top left to bottom right, or do you want to mix things up and write diagonally, sideways, or even backwards? Yes, sometimes that’s a thing; Leonardo da Vinci wrote privately in a mirrored direction, only writing normally when he wanted others to read his notes; he also developed his own shorthand.
Leonardo da Vinci’s Vitruvian Man, with mirrored writing.

I also have my own shorthand for many things; Sometimes I use what I call pigeon Asian (I use this when I don’t want anyone else to read it); it’s something I learned when living in Hawaii. It looks like Kanji (the logographic writing of Japan), but it’s not – that’s all I’ll explain! I also use logographs, such as the ancient Anglo-Saxon rune of daeg, which includes the concept of day, dawn, intuition or breakthrough; I use this to designate those times when I’m writing: Rather than writing, “Today, I wrote/worked on the manuscript for...” I just write that symbol plus the name of the manuscript and details. I have a whole series of such shorthand symbols that I use daily.

While there are note-taking apps available (and I use one, called “Keep My Notes”, on my phone for things like shopping lists or feedback notes for singing students or bands that I take during performances and review with them later), sometimes it’s helpful to get away from digital screens. Sometimes I’ll write whole scenes away from the computer – I don’t use my fieldnotes for that, though it will probably be used to outline a scene that comes to mind until I get to another notebook. Something about writing long-hand sparks a level of creativity that might not come while working at a computer; hand-eye coordination should never be underestimated in creative endeavours. Once a scene has developed enough away from the screen to be integrated into my current manuscript, it then takes on another reiteration as I type it in, tweaking and changing… it’s what I call a “ripening process” as a wine metaphor for the creative maturing process a scene goes through by this method. It gets my head into a new space figuratively, literally, and literarily!

In an age when we are constantly bombarded with visuals wherever we go, sometimes it’s healthy to go back to good ol’ pen and paper. On those days so busy that I can’t remember what I’ve actually done, it’s helpful to look back at my fieldnotes as I write out my thoughts in my daily journal.

Do you write? Do you ever make lists for shopping, chores, people to contact, or things to do? If so, how have you kept track of such things so far? If it’s a system that works for you, brilliant! But if you find yourself wanting to switch things up or wanting to improve your use of time, would you consider taking fieldnotes? Please comment below!

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How It’s Made: Fireworks

Around the world, fireworks are a traditional part of certain celebrations: Here in Switzerland, the two national nights would be the 1st of August (1291, Independence Day), and New Year’s Eve. In America, the 4th of July is probably the most widespread fireworks night. In Japan, fireworks competitions are enjoyed by spectators during the Sumidagawa Firework Festival, and in India, it’s Diwali, the Festival of Lights. In many countries in South America, Christmas is the big night; in Britain, Guy Fawkes Night is celebrated with both fireworks and bonfires (in Scotland); he was most associated with a failed gunpowder plot intended to blow up parliament and assassinate King James I of Scotland / James IV of England and Ireland.

Most people have, at some time in their lives, seen fireworks go off; but most people have no idea how they produce varying shapes and colours. Derek Muller, aka Youtuber of the Veritasium channel, goes into the details of what makes fireworks take shape, have varying colours and enable them to have precision timing in displays. To watch the video, called “The Hidden Science of Fireworks”, which includes footage of a drone’s perspective amid a fireworks display, just click on the image below! Enjoy!

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History Undusted: Keys

Some people collect things like stamps, postcards, or coins. I’m drawn to unique doors, locks, and keys.

Keys are something everyone has; whether it’s a house key, a car key, or an inner door key. Modern keys come in several forms: Lever (usually used in padlocks or furniture), pin tumbler, dimple, computerized laser (often used in cars), Nutech, cross, skeleton, barrel, transponder, cards, Abloy, and many more.

We tend to think of skeleton keys as antiquated, but here in Switzerland, even modern room doors within a home have skeleton keys for their locks (though we use dimple keys on main doors). Even though they’re still used, skeleton keys are one of the oldest forms of keys in history. The Romans had elaborate keys that were nearly as wide as they were long, but they already had the typical ringed head we think of when we think of a skeleton key; it made it easy to slip in a finger and pull the key out of the lock.

Roman Key Latch as old as 1st Century AD – Metmuseum

The oldest key found was in the ruins of Ninevah (the capital of ancient Assyria), going back to around 4,000 BC. It was a simple wooden prodder inserted into a hole in a door to lift pegs within a wooden bar used to hold the door securely from the inside; it could only be secured from the inside and was easy to open with any pegged stick. This type of wooden pin lock was common in ancient Egypt, but they’ve also been found in places like Japan and Scandinavia. It is alluded to in the Bible in such passages as Nehemiah 3:3,6,13-15 or Isaiah 22:22-23.

Ancient wooden peg key lock

The Romans improved on the idea and began making brass and iron keys with the ground-breaking technology of projections (wards) inside the lock that required a specific combination to be opened, thus requiring a specific key. The warded key outlasted the Roman Empire itself by more than a thousand years. Though these locks were easy to pick, no major advancements were made in the design until the late 18th century, when Robert Barron invented a new locking mechanism that we essentially recognize as the tumbler lock. Joseph Bramah improved further on the design a few years later, using a cylindrical key with patterned notches that aligned with the metal slides within the lock. The Bramah lock is still used and sold today (after finishing this article, take a moment on Google Images to search “Bramah lock” – you’ll see a wide range of old and new examples).  In 1818, Jeremiah Chubb improved the design by adding a retaining spring that held back a tumbler when shifted by the turn of the wrong key; this prevented not only the bolt from being lifted but indicated that someone had tried to pick the lock; they were known as detector locks.

Over time, many more improvements and refinements followed, until today’s key styles are so varied that a comprehensive list would be lengthy – there are variations within categories of keys; some cars today no longer even require a key to start. But to adapt the old adage of “where there are horses there are horse thieves”, where there is a lock there will be a lock pick. Even keyless cars are not theft-proof.

How many keys do you use daily? How have key styles changed in your lifetime?

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The Hum

Recently I came across an article on the phenomena of “The Hum” – a low-frequency sound heard by people across the globe. The hums are often given their location’s place name, such as the Taos Hum of New Mexico, the Auckland Hum or the Windsor Hum. While these sounds are clearly heard, no one seems to agree on the source of the sound: It could be produced by electrical equipment, an unfamiliar animal sound (such as the toadfish), the Jet Stream shearing powerline posts, volcanic eruptions, lightning static, ocean wave vibrations, or internal biological auditory signals.

If you stop and listen, there are sounds everywhere. But The Hum is not tinnitus, which has a much higher sound frequency. I’ve had tinnitus for years; when it’s quiet, I can hear up to eight tones of ringing in my ears. It’s something that affects around 15% of the population, but the only time it really becomes an issue is if it triggers a fight-or-flight response in a person – I’ve heard that the more you focus on the ringing, the more you hear it (the more it bothers you). In almost half of the people who have tinnitus, it can lead to phases of anxiety or depression, likely linked to that psychological fear response. Some people don’t even realize they have tinnitus – they automatically, subconsciously distract themselves with sound (music or television being common tactics). The causes of tinnitus vary, but in my case, I know exactly when it started: I was flying from London to Glasgow, and I had a head cold. The flight was just at that altitude where your ears almost pop, and it was excruciating. I can still hear fleas sneeze and “tell you if they’re male or female”, but the ringing is always present – I just ignore it for the most part. I hear so well that I sleep with earplugs each night – otherwise, I can hear electricity in the walls, and a battery charger at the far end of our home sounds like a car alarm to me!

Have you heard The Hum? Do you have tinnitus, and if so, does it bother you in any way or are you able to ignore it?

If you’d like to learn a bit more about The Hum, and what it could be or what it could mean, please click here for a 12-minute BBC report on the issue.

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History Undusted: The Great Clock of Rouen, France

Last summer, my husband and I rented a privately-owned motorhome in Caen, France, and travelled around Normandy for 10 weather-perfect days. One of the places we had on our short list to see was the city of Rouen, a region with a long and rich history. One icon of the city is a clock. Not just any clock. The Great Clock of Rouen.

Rouen was a pivotal location in the Hundred Years’ War (1337-1453 – calling it the “Hundred-and-Sixteen Years’ War” is more accurate but not as catchy, though the name is likely based on the fact that there were periods of fragile truces); the central conflict was the English claim to the French throne. In the context of this war, Joan of Arc became a victim of male chauvinism and political expediency. But that’s another story.

The mechanism of this clock was built in 1389. Let’s put that into perspective: That’s over 100 years before Columbus set out to discover a western passage to the East Indies and inadvertently discovered America; Richard II took over as king of England; it was made during the Hundred Years’ War; Joan of Arc would have seen this clock on her way to her execution (by burning at the stake). It was made more than 190 years before our modern Gregorian calendar replaced the Julian calendar, in 1582.

The mechanism deserved not only a grand position, but a grand façade: The Rouennais aldermen decided that the town needed a clock, and the construction of a tower to house the clock took 9 years; the architect was Jehan de Bayeux, though the tower was completed by his son in 1398. The original designer of the clock’s facades, Jordan Delettre, was no more (whether he died or was removed is unknown), and it was completed by Jean de Felain, who became the first “governor of the clock”, maintaining it in exchange for a home in the clock’s tower. Towers and wars came and went, and the clock survived; it was moved to its current location in 1410, now housed astride an ornately carved stone archway.

The clock faces (on both sides of a stone archway and connected to a central mechanism shared by both) are 2.5 metres (over 8 feet) in diameter, and each has only a single hand, tipped with the depiction of a lamb, which shows the hour; moon phases are indicated in the 30 cm oculus above the clock face, which makes a full rotation every 29 days. The face depicts 24 rays of the sun surrounded by a dark blue starry frame. A hand which shows the day of the week is located in an opening at the base of the dial, with each day represented by a different Greek god: Diane as the moon (Monday), Mars (Tuesday), Mercury (Wednesday), Jupiter (Thursday), Venus (Friday), Saturn (Saturday) and Apollo (Sunday).

Although the mechanism of the clock still works, it has been powered by electricity since 1928, and the tower itself was renovated in the late 1990s.

Underneath the clock in the centre of the archway, the coat of arms of Rouen can be seen: It depicts the Paschal lamb on a red background (the official colour of Rouen); it is held by two angels (if you look closely at the angel on the right, you’ll notice that its head is on wrong; it is thought to be due to disgruntled construction workers – obviously an age-old problem…). Beneath the arch are elaborate bas-reliefs of Jesus as the Good Shepherd caring for his flocks; the clock’s hand, the coat of arms and the reliefs all echo the importance of textile and wool trade to the city. One clock face alone has at least 15 sheep (zoom in on the picture of the clock and see if you can spot them all!). Next to the clock is a Gothic belfry tower built in the 14th and 15th centuries which houses the bells connected to the clock, which ring on the quarter-hour.

Rouen is a survivor: It has outlasted Viking raids that travelled up the Seine River, the Hundred Years’ War, the Religion Wars of the Renaissance period, the Franco-Prussian War of 1870, the French Revolution, and even World War 2; the latter damaged nearly half the city, and shrapnel and bullet scars can still be seen in façades. The cathedral’s stained-glass windows were shattered by a WW2 bomb and were subsequently reconstructed using the fragments, creating jumbled images that reflect its history and its survival.

For me, the clock must really be seen within its context to truly appreciate it; it’s surrounded by wonky Medieval buildings which are three or four stories tall and built when plumb lines and uniformity were still futuristic concepts. They were built out of timber, as there is abundant forest nearby but no stone quarries.

The clock adorns the arch over the Rue du Gros-Horloge (“Street of the Great Clock”), which runs between the Gothic cathedral, made famous by Claude Monet (who painted over 30 canvases centred on the cathedral), and the old market square, where Joan of Arc was burned at the stake. Perhaps ironically in light of the latter event, the street just off of the clock’s archway is called Rue Massacre…

Though I do not speak French, I know that in French, clocks today are referred to in the feminine form, la horloge; but prior to the 18th century, clocks were masculine; so, the great clock of Rouen, in French, is still Le Gros-Horloge.

Below are a few of our holiday photos: They include the cathedral’s jumbled windows and the clock from various angles, as well as a few of the wonky buildings. Enjoy!

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