Over the past year and more, we’ve all experienced limbo in one form or another: Lock downs, restrictions, cancellations of events or flights or holidays or plans to meet up with friends, and the uncertainty of how long it will all last. Then there is the feeling of limbo that comes with my personal situation of waiting for the cascade of appointments for my husband’s chemo to begin; we had a set-back last week with a bacterial infection and a week’s hospitalization, so we’ll just have to wait and see if he can keep the appointments already made or not. Limbo. Waiting to find out if he can be brought home tomorrow. Limbo.
My writing, both in the forms of this blog and of my manuscript, have both been sucked into the state of limbo as well, as I’ve spent most of the past few weeks, and more intensively the past three days, on the phone with people who’ve asked how we’re doing, or answering messages on my phone or social media. Sometimes I feel like my manuscript is calling for me to work on it, and I’m trying to reach it while wading toward it waist-deep in a thick sludge of other priorities – it’s been just out of reach for days, because by the time I actually reach it, I have no energy left.
As I was thinking about those limbo moments, I actually started wondering just where the limbo dance comes from, historically; I remember doing it as a child – the local indoor skating rink played limbo every night. So, here’s a brief low-down on the low-down dance:
The origins are vague, as is the etymology of the name: Starting in late-1800s Trinidad, the name might have come from the Jamaican English “limba“, i.e. limber. Interestingly, the game is used in Africa as a funeral game, and there may be a connection between the two regions through the slave trade which brought Africans to the Jamaican islands, as it is also a popular “dance” for wakes in Trinidad. The rules are simple: a person passes under a bar, face-up, with the only body part allowed to touch the ground being the feet. The game is considered the unofficial national game of Trinidad and Tobago, it only began to gain popularity beyond the region in the 1950s; it was adopted in the mid-1950s as a form of physical exercise for American military troops. It was often attempted to a rhythmic song, and one of the most popular was the Limbo Rock, by Chubby Checker. Just listening to the song brings back the feeling of the cool breeze blowing around the skating rink as people sped to get in line for the limbo stick as soon as they heard the music start over the loudspeaker!
As we face our own times of limbo in this age of Corona, or in the circumstances we find ourselves in, perhaps it would perk up our spirits to hum the Limbo Rock and take it with a bow and a smile.