Wordless Wednesday no. 28: Horror Movies

Horror Movies

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July 5, 2017 · 10:00 AM

Style Sheets, and the Recipe of Writing for Recipes

The Nitty Gritty

I have hundreds of recipes pinned to dozens of Pinterest boards, so I come across a wide range of offerings.  Nowadays, the images have to be perfectly lit and photoshopped to make them look appealing; it’s like sugar in pre-packaged foods… we’ve gotten so used to the artificial visual flavour that if a photo were undoctored in some way, it would be glaringly out of place.  But what is often missing is the same attention to detail in the writing.  I’ve seen “tablespoon” misspelt a few ways, or the abbreviations as Tbs., tb, tbs, tbsp, T., etc. So which one is correct?  And do the forms or the etiquette of choices differ between print and online versions?

I pulled out a cross-section of cookbooks in my library and thumbed through them; I took older, newer, American and British, and I scoured online recipe sites like Betty Crocker; here’s what I discovered:

  • When writing a cookbook for a printed version, editors/publishers tend to write out the entire word [tablespoon, teaspoon, cup, pound, ounce, etc.].
  • The two most standard contractions for tablespoon are Tbs. and tbsp.  They can be ended with a period or not; I would tend to do it so that the contraction looks intentional and not a typo!  I grew up learning Tbs. for tablespoon and tsp. for teaspoon.  To each his own.
  • Blogs that are a collection of recipes, or allow contribution from subscribers, will have a hodgepodge of abbreviations and contractions because it’s simply too difficult to keep on top of such issues.  Even professional sites such as Betty Crocker have gotten sloppy about it; for example, they often (but not always) spell out words like tablespoon, and then suddenly revert to contractions for pounds and ounce within the same recipe.  Consistency should be the golden standard if nothing else is.
  • Recipe instructions are written in the imperitive mood (bake this, stir that, knead this, eat with that, etc.).  You’ll never find 1st, 2nd or 3rd person pronouns within the instructions of a recipe; at most, you’ll find them in the short intro before a recipe begins.
  • In a printed book, NEVER does a recipe instruction include the ramblings about the cat in the kitchen, or what you changed about the recipe, or what you’re doing that’s unrelated to the topic at hand.  If you’re writing a personal blog, that’s a matter of personal preference; I tend to want the recipe itself streamlined to make it easier to read on the fly in the kitchen, but maybe that’s just pragmatic ol’ me.  If there are additional notes or something I’ve changed about a recipe for my own blog, I tend to put that in the introduction and not in the actual recipe, but there’s not a set rule – it depends on where it’s warranted or relevant.

As with any kind of writing, some things are a matter of personal preference; at that point, where there is no one grammar rule to apply, the most important thing is to be consistent throughout the manuscript.

Style Sheets

If you’re thinking of writing a cookbook (or any other manuscript for that matter!), I would recommend keeping what is called a style sheet; this is used in publishing houses where several people will have the manuscript in hand at some point; this sheet prevents someone else from undoing choices – they can look at the style sheet and know that it was an intentional decision, and leave it; otherwise the risk is that one man’s capital is another man’s lower case, and so on.

As an author, the style sheet is my running list of decisions to keep me on track as I  write; it can include sections for punctuation (have I decided to go with British or American English punctuation for things like Mr / Mr.?), unusual capitalisations (for me, one issue was when to capitalise “sir” as a substitute for a proper name – I could always refer to my sheet when in doubt), abbrevitation/contraction choices, etc.  It could also include a record of my choice of fonts, spacing between sections, indentations, and so on.  I have a section for my “cast of characters” – to remember how I’ve spelled a name, or what I’ve named an infrequent cast member. I might include an abbreviated description of a character so that I don’t give them green eyes in chapter one, and blue eyes in chapter ten.  What you can include in your style sheet is endless… foreign terms/spellings, reminders to check validity of hyperlinks, punctuations such as en- and em-dashes, how you’ve written specific gadgets (capitalised or not, hyphened or not, etc.).  Below is a basic style sheet template to get you started.

No matter what you’re working on, hone your craft, and keep writing!

Copy-Editing - Style Sheet

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Wordless Wednesday no. 27: Live

Live

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June 28, 2017 · 10:00 PM

History Undusted: Atlantic Iron Age Souterrains

DCF 1.0A Souterrain is a type of underground construction mainly associated with the Atlantic Iron Age.  Built near settlements, they were used as storage for food or as a hiding place from raiders.  After being dug out, they were lined with flat stones and staircases down into their depths.  Of those excavated throughout the UK and Ireland, artefacts are rare, indicating that they were merely in use temporarily.  Some are very small, while others resemble passageways; my guess is that it would depend on the size required by the settlement, and how much time they had to prepare it.

Day 8, 1.146 - Souterrain, Loch Eriboll, 21 July 2012I came across a souterrain along Loch Eriboll in 2012, as I was in the area doing research for my novel, The Cardinal.  In these photos, you can see that, if you were walking out there at night or dusk, they could be very treacherous.  My husband crawled down inside to take a picture back out; it was roomy enough for him to stand once inside (in this particular souterrain even the ceiling was lined with large stone slabs), though the narrow stone stairs and proportions, in general, indicated a much shorter population than modern humans.  You can see from the photo of myself how overgrown the bracken and heather is; the entrance was nearly completely hidden; we were looking for it based on a geological map’s markings, but if we hadn’t known it was there, it would have gone completely unnoticed.

I needed a tunnel entrance in the exact location of the souterrain for the novel, so it enriched the story by fitting reality and the fantasy together perfectly!

Day 8, 1.149 - Souterrain, Loch Eriboll, 21 July 2012

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Wordless Wednesday no. 26: Auto-Selfie

Smoking Car with Selfie Stick

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June 21, 2017 · 10:00 AM

History Undusted: Skara Brae, Orkney

Skara BraeSkara Brae is probably the single most famous Neolithic settlement uncovered in the world.  It gives us the most complete picture of everyday life in that period of time, and has quite a few surprises:  Indoor running water?  Dressers and beds?  Yep.  They had storage rooms, and even toys for the kids.  There are some objects that they can’t figure out, but that just makes it all the more tantalizing.

Originally much farther from the shoreline, over the centuries erosion has eaten away at the land; Skara Brae will itself eventually succumb to the pounding Atlantic waves.

I was there in 1989 for the first time, and again in 2002; the first time I was there, I was with a group of friends, and we were given a private tour by a friend’s uncle who worked there.  It was an amazing way to see this prehistoric site, tourist-free and (back then) largely untainted by tourism.  In 2002 it was a different matter altogether:  A tourist shop had sprung up, and we had to time our viewing between bus-loads of day-tourists from “doon sooth” (down south = Scotland).  Also on that second visit, the Atlantic winds were so strong that we were literally leaning into the wind at a 45° angle; if it had had a sudden lull, we would have been flung into the sunken dwellings; it was an adventure.

Skara Brae stone objectsIf you get a chance to go, do so; take at least a fortnight on Mainland Orkney.  It’s known as the Archaeologist’s treasure trove, and for good reason – just about any stone you turn over has some kind of historical significance, and there are many sites to take in:  Maeshowe, Ness of Brodgar and the Ring of Brodgar, and chambered cairns to name a few, and even more modern sites such as Churchill Barrier, and sunken World War 2 vessels (some portions are visible in low tide).

The stretch of water between Scotland and Orkney, the Pentland Firth, is known as “The Sailor’s Nightmare”; there are several currents that flow and mix into this bottleneck, not only making for treacherous sailing, but it can also make even the hardiest sailor lose his lunch.  Word to the wise:  When heading out of Thurso with the ferry to the Mainland (the largest island in the Orkney group), a) don’t eat yet (it usually leaves around lunch time, and believe me, you won’t keep it long…), and b) as soon as you get on the ferry, head to the dining room and get a window-side table; this is because they will not only fill up fast, but once you’re out of the relatively calm / wind-sheltered bay into the open strait, you’ll be glad for a ring-side view from a wind-sheltered, spray-sheltered spot; keeping your eye on the horizon helps the brain deal with the swells, and keeps seasickness at bay…

Originally posted on History Undusted,

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Wordless Wednesday no. 25: At the Races

Run like you stole something

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June 14, 2017 · 10:00 AM

Quintus Quotes: Alice Waters

Alice Waters 3Alice Waters 4Alice Waters 6Alice Waters 7Alice Waters 5

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Pixar’s Rules of Storytelling

Recently I came across Pixar’s rule #19, quoted in James Scott Bell’s book, “How to Write Short Stories (and use them to further your writing career)”.  It’s an excellent book, and one of a few of his I’ve got in my Kindle collection.  But this rule reminded me of the whole list, full of good advice for storytellers whether their format is film or novel (from flash fiction to tome).  Most writing advice boils down to things like focus, self-discipline, detail work, and honing one’s craft to the best it can be – and that is an on-going process, a habit, an addiction.  It needs to be a passion.  Honing our craft means covering all the bases – grammar, syntax, plot, character, vocabulary, pacing, theme-building, and so, so, much more!  If you’ve got a weakness in your writing skills, the good news is that you can always improve it!  Make it a strength!  So be inspired, and keep writing!

Pixar's Writing Rules

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Wordless Wednesday no.24: Architectural Inspirations #3 – Modern

 

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May 31, 2017 · 12:58 AM