Tag Archives: Mark Twain

History Undusted: The Age of Revolutions

This past summer, my husband and I rented a motorhome and travelled around Switzerland; we tend to prefer nature or museums to overly-touristy attractions. One of the places we visited was Spiez Castle. Before I tell you about that, however, a little historical backdrop is necessary, so buckle up and enjoy the ride!

Everyone’s heard of the French Revolution, which began in May 1789: It was a struggle to become free from the heavy yoke of an elitist monarchical regime, quasi out of the frying pan and into the fire of the Reign of Terror – during which many of the original rebels, in a twist of morbid irony, also had their heads removed by Monsieur Guillotine; it ended in November 1799 with the abolition of the Ancien Régime and the creation of constitutional monarchy (not far from where they started) and the French Consulate (which lasted nearly 5 years until the start of the Napoleonic Empire in May 1804).

But what many people might not know is that the French Revolution was internationally both influenced and influential. Modern “small world” effects are not modern at all; even in ancient times, people had international news: Travelling merchants and traders, messengers, signal towers (such as those the Romans used along the British frontiers), and even smoke signals, all conveyed news. When the French Revolution began, there was already a growing political dissent spreading throughout Western Europe; the English “coffeehouse culture” enabled men to gather in small groups and discuss business and politics; this concept travelled to America, and the discontent culminated in the American Revolution, starting in April of 1775. The French people watched and learned. The British government naturally became wary – they were losing the American colonies to the Revolutionary War, which they finally lost in September 1783. The Americans were supported during that time by France and Spain (the two main long-term enemies of Britain), so the British were hemmed in by threats to their own social order from both the east and the west, and they had well-founded fears of the discontent sparking revolt in the dry tinder of their own oppressed ranks.

And now we come to Switzerland: To understand the Swiss backstory in a nutshell, which does no justice to a history that began in the Palaeolithic Age or further back, let me sum it up: The Old Swiss Confederacy was an alliance between independent small states, starting on 1 August 1291 with the “Rütlischwur”(an oath of allegiance between the cantons of Uri, Schwyz and Unterwalden), which date is considered by the Swiss to be the birth of the nation (though history is more complicated). As the French Revolution was beginning to wind down, Napoleon Bonaparte, then a French general, pressed the French Directory (the then-current French governing committee) to invade Switzerland. The atmosphere within the Old Swiss Confederacy was tense, fearing that the French Revolution would spill over with or without direct French military involvement. At the invitation of a French-speaking faction in Vaud (then part of Canton Berne), 12,000 French troops invaded through Vaud on 28 January 1798, and for the next four months, battles were waged between the French and the Swiss “Loyal Legions”. It ended in May with the swift collapse of the Swiss Old Confederacy.  

The Battle of Neuenegg, 1798 – Graphics Collection, Central Library, Zürich

However, the French Directory needed a solid neighbour, a buffer zone along their eastern borders, not a loosely associated collection of small states; they tried to steer toward a re-establishment of national unity with a Paris-drawn constitution, but on April 1798, Swiss cantonal leaders proclaimed the Helvetic Republic, with new legal structures that abolished feudal rights within individual cantons in favour of a national unity. A few battles later, and coalition armies waging war in and around Switzerland against France, eventually left Switzerland as a sovereign, neutral nation; it has remained so ever since, despite two world wars.

An etymological side note on the Latin name of the Swiss Confederation (Switzerland), Confoederatio Helvetica: Helvetia is the female personification of Switzerland, found on nearly every coin, much like Lady Liberty of America. The name derives from Helvetii, a Celtic tribe that inhabited the Swiss Plateau since before the Roman Era. The earliest reference of the name is dated to ca. 300 BC, written in Etruscan on a vessel from Mantua (located in Lombardy, Italy). By the time the Romans arrived, they were well-established tribes governed by noblemen; the Roman historians tended to refer to anyone not Roman as “barbarian”, which tends to skew modern understanding of the peoples they conquered; it was perhaps their way of justifying invasions against peaceful, intact civilisations. Naming no names, but R—– is repeating that same shameful tactic today; there’s nothing new under the sun.

It’s easy to overlook the complexities of historical events or view them from only one nation’s side; after all, as Mark Twain once wrote, “The very ink with which all history is written is merely fluid prejudice.” History’s angle is in the hands of those who wrote it – if they were Roman, everyone else was barbarian; if they were English, the Scottish / Irish / Indians were backwaters in need of a guiding stick, and so on.

So, now that you know a bit more about the history in and around Switzerland, I’ll highlight Spiez Castle next!

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Imagination is a Superpower

I’ve taught English as a foreign language for adults for years, from the age of 13 up until Covid put such gatherings on hold. I would often use some kind of exercise that allowed students to think outside of their normal lives, to stretch their vocabulary and to practice speaking and forming sentences outside of their comfort zone. I once had a nursing student, meeting as a semi-private student with another fellow nurse, who categorically refused to do any exercises requiring a make-believe scenario; she called herself a “realist”. Despite reasoning with her, or her friend asking her to participate so that she could learn more, she refused. I found it frustrating as a teacher, but I found it tragic as a writer and creative thinker.

Thinking outside of the box and thinking creatively stretches our brains in extraordinary ways; it promotes creative problem solving, allows us to put ourselves in someone else’s shoes for a moment, and can help us view a situation from several different angles. By thinking into fictitious scenarios, we learn something about ourselves along the way – those things that make us tick, our strengths, or our weaknesses.

For years, I’ve collected interesting writing prompts whenever I’ve come across them; it’s going down the proverbial rabbit hole to follow leads on the internet, but because I’ve collected them willy-nilly, I can’t tell you exactly where they originated – it’s a common problem with online research, and as often as I can, I try to give proper credit to images that I use if they’re not my own; the people out there who offer their creative perspectives, photography talents, or Photoshop skills deserve credit where credit’s due. But it’s one reason that I don’t often share such prompts here, for those of you following who are also writers. Another reason is that there are enough sites out there stuffed to the gills with prompts. What I would like to do today is share an exercise in imagination.

Albert Einstein quotes run rampant on the internet; without a reference book to know what he actually said, I feel that many of them fall into this category:

Having said that, sometimes you can gather the essence of what he probably said by reading “diagonally” through the supposed quotes, and one such sentiment is that Einstein said something like, “Imagination is more important that knowledge; knowledge is limited to all we know and understand, while imagination embraces the entire world.” Mark Twain once wrote*, “You can’t depend on your eyes when your imagination is out of focus.” [* Excerpt from his Complete Works] (By the by, if you’d like more Mark Twain wit, I wrote an article about his views on Switzerland, and the German language – just click here.)

So here’s something to exercise your imagination with:

You have the choice between flight and invisibility; which do you choose and why? What will you do with this superpower?

I’d love to hear your answers in the comments below!

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History Undusted: Bells

Recently, my husband was catching up with the articles on my blog, and he made the cheeky comment that I’d written about everything except the history of bells. Now, I know that’s not true – there are other things out there I still have yet to discover – but I took up the challenge; hence, this post. The history of bells, or of anything, for that matter, is an audacious title; as Mark Twain once said, “The very ink with which all history is written is merely fluid prejudice.” At best, such an online article can skim the surface of any historical topic; my purpose is not to give an extensive report – it’s to whet your appetites to search out history for yourself. I “undust” it for you – it’s up to you to grab it by the horns and hang on.

Every country has their favourite bells: Americans have the Liberty Bell (“At noon, on the Fourth of July, 1826, while the Liberty Bell was again sounding its old message to the people of Philadelphia, the soul of Thomas Jefferson passed on; and a few hours later John Adams entered into rest, with the name of his old friend upon his lips.” – Allen Johnson); the Brits have Big Ben (it’s the actual name of the bell, not the clock tower) and other, regional celebrities; the Russians have the Tsar Bell, in Moscow; the Polish have the Sigismund, located in Wawel Cathedral in Krakow, Poland. but where did they come from originally? What was their original purpose?

The oldest known bell is from around 2000 BC, from Neolithic China, and it was made of pottery tiles. As far as historians can deduce, the bell has always been associated with two social functions: As a signal for messages, such as when a work day would begin or end, and for calls to religious ceremonies or as reminders for specific times of day for various rituals. The sound of bells have always been associated with divinity, likely because it was a sound unlike any natural sound known to the people who heard them ringing out over a great distance – they could hear them, but not see the source of the sound. In ancient times, when most people were both uneducated and superstitious, it’s not hard to follow such reasoning.

Bells can range from tiny jingle bells to several tonnes; the Great Bell of Dhammazedi was the largest bell ever made, in 1484, for King Dhammazedi of Hanthawaddy Pegu (Lower Burma), and weighed 327 tonnes. It was placed in the temple of Shwedagon Pagoda and stolen by the Portuguese – whose ship promptly sunk under the weight of the bell.

Today, church bells still ring out across Europe, calling parishioners to church services, as well as ringing out on the hour to mark the passing of time. They ring out in special ways for various celebrations, whether weddings or holidays such as Christmas, New Year’s Eve, and Easter.

16th century Islamic painting of Alexander the Great lowered in a glass diving bell - Wikipedia

16th-century Islamic painting of Alexander the Great lowered in a glass diving bell – Wikipedia

Certain kinds of bells hold special value: Ship’s bells are like catnip to divers – they’re the primary method of identifying ships, as their names are engraved on the bells even long after the painted names on the hulls have succumbed to the sea; they are a wreck-diver’s trophy of desire, and always hold special place in their collections. An interesting link between diving and bells is that the first actual diving bells – the rigid chambers designed to transport divers from the surface to the depths and back – were shaped like ringing bells; the air would be trapped in the upside-down chamber, allowing a person to be underwater and still breathe. The first description of its use is recorded by Aristotle in the 4th century BC; the most famous diver from that period is Alexander the Great.

 

English has many idioms associated with bells: Alarm bells ringing (or set off alarm bells, or warning bells going off – i.e. your mind is warning you about a danger or deception in a particular situation); to be as sound as a bell (to be healthy or in good condition); when something has (all the) bells and whistles (extra or entertaining features or functions that aren’t necessary, but nice-to-haves); Hell’s bells! (an expression when one is surprised or annoyed); something rings a bell (i.e. sounds familiar); saved by the bell (i.e. a difficult situation is ended suddenly by an unforeseen interruption); with bells on (i.e. if you go somewhere or do something with bells on, you do it with great enthusiasm or energy); to bell the cat (i.e. undertake a difficult or dangerous task); something to be as clear as a bell (i.e. clearly understood); pull the other leg/one – it has bells on it (i.e. you don’t fool me); one can’t unring a bell (once something has been said or done, you can’t unsay or undo it); the final bell (the end of an event or, euphemistically, a life). I’m sure there are more – if you know of one, please leave it in the comments below!

There is also a powerful experience written by Corrie Ten Boom, a Holocaust survivor, about the Bells of Forgiveness – you can read her story here.

If you’ve got an hour to spare, BBC has an hour-long “History of Bell Ringing” video on YouTube.

So there you have it: Bells, undusted, to pull your rope cord and get those bells ringing in your head, to find out more for yourself!

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Quintus Quotes: Mark Twain #2

Mark Twain - Cats, Friend without further IntroductionMark Twain - Eyes vs ImaginationMark Twain - Funeral LetterMark Twain - Kindness is a Language, Deaf, BlindMark Twain - Politicians & Diapers

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POV

POV is shorthand in the film industry for “point of view” – in that context, it has to do with not only the narrative context but also the camera angles and editing process.  Changing the POV can affect the way the audience – or readers – perceive a character, an event, or the overall atmosphere of a scene.

Mark Twain - History's Ink is Fluid PrejudiceRecently I was watching a history documentary series from BBC called, “British History’s Biggest Fibs”, with Lucy Worsley.  The basic point of the series is that history is subjective; whoever wins gets to name the battles, and shape future generations’ perceptions about events; the victor gets to smooth over their own weak points and play up their heroism for posterity.  PR and spinning a good yarn helped to shape how reigning kings were perceived and toppled, or usurpers could style themselves as “successors”.

When writing a novel, the POV can drastically change a scene either from the inside, or the outside, or both; by that I mean that either the scene itself changes “camera angles” to tell the story from a slightly different perspective, or that something within the scene shifts slightly, affecting the reader’s perceptions of characters or events in the scene.  For example:  I was reading through a particular scene in my current manuscript that I knew I wasn’t happy with, but couldn’t put my finger on exactly what it was that bothered me aside from the outcome.  The scene involved an unjust flogging aboard a Royal Navy ship.  The officer on duty was forced by the captain to either flog the innocent man or be punished worse in his stead.  The original scene played out with the officer carrying out the punishment unwillingly but obediently.  The scene’s purpose is to show the gradually decaying grip on reality in a captain going insane; I wanted a stronger contrast, and so I tweaked the dialogue, which changed the outcome:  The officer refuses to punish the innocent man and takes the punishment on himself.  This outcome builds far more tension among the crew, gives grounds for retribution against the true instigator (a snivelling King John’s man of a junior officer), and contrasts the honourable dealings of the officer on duty against the captain’s failing sense of right and wrong.  By shifting the scene slightly, I take the reader and myself down a much steeper path.

POV - Screenshot Marvel's Avenger'sIn this illustration from Marvel’s Avengers film series, the camera angle chosen gives much more of an adrenaline rush than, say, if you were passively watching from off to the side; the fact that the arrow’s flying straight at you gives the scene that extra “kick”.

If you find yourself staring at one of your scenes – or even an entire premise of your story – that you’re not satisfied with, trying shifting the POV (sometimes it helps me to refer to it as the “camera angle”).  Put your inner eye’s camera in a different position in the scene, and see if that unlocks the key to improving that scene, the story arc or a character’s arc.  Keep writing!

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In Other Words – Make Every Word Count!

I’ve been out of WordPress-land for the past week or so; I’ve been focused on editing and didn’t want to blog until I had something worth writing about.  I thought I’d tell you a bit about what I’ve been working on & thinking about:

One golden rule in writing is to make every word count; along that yellow brick road are all kinds of signposts and potholes.  Signposts are things like “make verbs do the actions”, while potholes are “watch out for unnecessary words” – either for the sake of padding word count (e.g. for a short story or report that needs to reach a certain word count), or words that slip in needlessly.  Examples of unnecessary words are -ly adverbs (if we use the best verb, the adverb will be superfluous), strings of adjectives, really, very, and there is/are/were/was.  Recently I’ve been scanning my current manuscript for the kinds of words that slip in easily while writing in a flow; I have a list of things that I watch out for personally, and one item is “there”.  While I try to catch them as I write, sometimes I will intentionally use them as a “place-marker” – knowing that I’ll come searching for them later, find it, and re-write the sentence or scene with a fresher eye than I had at the time I originally wrote it.  That’s just me – I know myself, that I won’t leave things like that long.  If you’re not sure you’ll catch those sentences you want to improve on later, then mark them with a different coloured text, or an e-post-it, or something that will jump out at you.

Mark Twain - Very, Damn

Here are a few examples of sentences (from my current manuscript) with “there” before and after editing:

…there was a crisp off-shore wind… —> …a crisp off-shore wind blew…

…there was no recollection in his eyes… —> …no recollection flickered in his eyes…

…there was a twinkle of amusement in his eyes… —> …amusement twinkled in his eyes…

…there was no sign of the HMS Norwich… —> …the HMS Norwich was nowhere to be seen…

…there would be dire consequences… —> …dire consequences would follow…

…there was a smirk on the captain’s face… —> …a smirk spread across the captain’s face…

Tightening up the wording makes the sentence less clunky and more precise.  Making every word count is not about reducing word count, although that will be a natural consequence sometimes; at other times, by changing the sentence to mean more precisely what you want to convey, it may result in the word count actually increasing.  Just make sure that the words you use carry their weight.  Waffling, rambling & repetition will not win us any brownie points; I could easily go into detail about the ropes of a ship of sail, but it would probably bore most readers to death!  Sometimes “less is more”; it’s enough to say “ropes”.  If I describe a surgeon’s table and list the instruments he’s about to use, it may be TMI (“too much information”) if using the word “instruments” is enough; if I want something more specific, then I could name a tool at a particular moment in the scene.  Though I like the (audio) book “The Host”, by Stephenie Meyer, my one gripe with it is what I call the “roll call” scenes – where the characters present are listed, as if in a roll call.  It’s TMI – it would be enough to say something like, “those I counted as allies were with me”.

Other times, a list of words may become a linguistic collage, painting a picture in the reader’s mind of a character, or a place, or a mood.  A classic example of this is Lewis Caroll’s Jabberwocky; most of the words are nonsensical, non-existent words, but they nevertheless paint a clear image in the reader’s mind.

It’s why writing is never an exact science, and why, as a writer, I can always learn something, always hone my skills.  If I ever become satisfied with my own level of writing, to me that’s a warning sign that I’m missing a significant moment of improvement.  That should never stop someone from publishing – from letting their baby grow up and go out into the world to make other friends – but in the writing and editing process, be prepared to let go of pet scenes, or even some characters, in favour of an improved manuscript.  Making every word count requires that we learn to recognise what counts, and what doesn’t.  So keep writing, and keep honing your skills!

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Quintus Quotes: Mark Twain

I love quotes; good ones take an entire concept and condense it down to one or two lines.  Some are pithy, some profound, some obscure and some obvious, but most always, they make you stop and think.  They often relate universal conditions of the human existence, whether that quote comes from a present-day person or one that lived hundreds of years ago.

I often use quotes in my articles here, but I’ve never really had titled posts dedicated to them; I like to use alliterations, but “quote” doesn’t rhyme with anything practical in English – so (naturally) I went with Latin.  [For the few Latin aficionados out there, please let me know if I’ve used the wrong form… there aren’t exactly Latin dictionaries floating around.]

I’d like to kick off with one of the wittiest writers I know of, Mark Twain.  Here are five zingers (and I apologize in advance for the grammatical errors – I didn’t make the jpegs!); enjoy!

mark-twain-argue-stupidity-experiencemark-twain-1marktwain_550mark-twain-frogmark-twain-quotes-5

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Musings A to Z Challenge: W

Challenge:  Write a short paragraph (100 words or less) daily on a topic beginning with the sequential letter of the alphabet.

Wiring

Mark Twain once said, “Truth is stranger than fiction, but it is because fiction is obliged to stick to possibilities; truth isn’t.”  Life is usually smoother than its fictional counterpart; true stories made into film, such as It Could Happen to You (Nicholas Cage, 1994) would be “too boring” if they only told the truth.  But wires need to be crossed… relationships gone stale must be electrocuted back to life, communication hampered by misunderstandings, and obstacles placed in the path of the hero/heroine to make it more interesting.  Crossed wires are the bedrock of most tales, no matter the genre.

Wiring

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Mark Twain on Switzerland & the Awful Language of German

This past week I’ve been quite busy getting ready for a big change in our lives:  Taking in an exchange (high school) student for nearly a year.  She’s coming from Thailand, and wants to learn German; I’m not sure she knows what she’s getting herself into, as we don’t speak the German she will need to learn for school; we speak Swiss German, which is about as similar to High German as Old English is to modern English.

In preparation, I’ve been doing a bit of spring cleaning too – might as well, right?  My main work room, our library, is also where I keep folders full of stories I’ve saved over the years, and while sifting through them I was reminded of an article about Mark Twain’s observations on the German language.  I found what I was looking for in a Kindle book; it would be astonishing (and perhaps a bit discouraging) to Mark Twain if he could see his entire life’s work reduced to an e-book for less than $ 2.00, but so it is.  I was surprised to find a short description of his time in Switzerland, as part of his Grand Tour no doubt.  And as I mentioned above, the German dialects we speak are not the German Mark Twain describes, so I can laugh along with the rest of you (and I can laugh at the fact that the WordPress spell check is going berserk).  I’ll need to resort to High German for the sake of our exchange student, but it grates on my ears and tongue like sandpaper on the eyeballs.  Mark Twain seems to have had similar sentiments.  I will first share his impression of Switzerland, and then bombard you with his opinion of the German language.  This post is a bit longer than my usual offering, but Twain is well worth it!  So put your feet up, get a cuppa, and enjoy!

On Switzerland

Interlaken, Switzerland, 1891.

“It is a good many years since I was in Switzerland last. … there are only two best ways to travel through Switzerland. The first best is afloat. The second best is by open two-horse carriage. One can come from Lucerne to Interlaken over the Brunig by ladder railroad in an hour or so now, but you can glide smoothly in a carriage in ten, and have two hours for luncheon at noon—for luncheon, not for rest. There is no fatigue connected with the trip. One arrives fresh in spirit and in person in the evening—no fret in his heart, no grime on his face, no grit in his hair, not a cinder in his eye. This is the right condition of mind and body, the right and due preparation for the solemn event which closed the day—stepping with metaphorically uncovered head into the presence of the most impressive mountain mass that the globe can show—the Jungfrau. The stranger’s first feeling, when suddenly confronted by that towering and awful apparition wrapped in its shroud of snow, is breath-taking astonishment. It is as if heaven’s gates had swung open and exposed the throne. It is peaceful here and pleasant at Interlaken. Nothing going on—at least nothing but brilliant life-giving sunshine. There are floods and floods of that. One may properly speak of it as “going on,” for it is full of the suggestion of activity; the light pours down with energy, with visible enthusiasm. This is a good atmosphere to be in, morally as well as physically.

DCF 1.0

Vierwaldstättersee, taken 2006

“After trying the political atmosphere of the neighboring monarchies, it is healing and refreshing to breathe air that has known no taint of slavery for six hundred years, and to come among a people whose political history is great and fine, and worthy to be taught in all schools and studied by all races and peoples. For the struggle here throughout the centuries has not been in the interest of any private family, or any church, but in the interest of the whole body of the nation, and for shelter and protection of all forms of belief. This fact is colossal. If one would realize how colossal it is, and of what dignity and majesty, let him contrast it with the purposes and objects of the Crusades, the siege of York, the War of the Roses, and other historic comedies of that sort and size. Last week I was beating around the Lake of Four Cantons [Vierwaldstättersee], and I saw Rutli and Altorf. Rutli is a remote little patch of meadow, but I do not know how any piece of ground could be holier or better worth crossing oceans and continents to see, since it was there that the great trinity of Switzerland joined hands six centuries ago and swore the oath which set their enslaved and insulted country forever free…”

On the Awful German Language

What he had to say about the German and their language is quite different, however:

“Even German is preferable to death.”

“Surely there is not another language that is so slipshod and systemless, and so slippery and elusive to the grasp. One is washed about in it, hither and thither, in the most helpless way; and when at last he thinks he has captured a rule which offers firm ground to take a rest on amid the general rage and turmoil of the ten parts of speech, he turns over the page and reads, “Let the pupil make careful note of the following EXCEPTIONS.” He runs his eye down and finds that there are more exceptions to the rule than instances of it. So overboard he goes again, to hunt for another Ararat and find another quicksand.”

“German books are easy enough to read when you hold them before the looking-glass or stand on your head—so as to reverse the construction—but I think that to learn to read and understand a German newspaper is a thing which must always remain an impossibility to a foreigner.”

“…in a German newspaper they put their verb away over on the next page; and I have heard that sometimes after stringing along the exciting preliminaries and parentheses for a column or two, they get in a hurry and have to go to press without getting to the verb at all. Of course, then, the reader is left in a very exhausted and ignorant state.”… “It reminds a person of those dentists who secure your instant and breathless interest in a tooth by taking a grip on it with the forceps, and then stand there and drawl through a tedious anecdote before they give the dreaded jerk.”

Mark Twain, Young“Some German words are so long that they have a perspective. Observe these examples:

Freundschaftsbeziehungen.

Dilettantenaufdringlichkeiten.

Stadtverordnetenversammlungen.

These things are not words, they are alphabetical processions. And they are not rare; one can open a German newspaper at any time and see them marching majestically across the page—and if he has any imagination he can see the banners and hear the music, too. They impart a martial thrill to the meekest subject. I take a great interest in these curiosities. Whenever I come across a good one, I stuff it and put it in my museum. In this way I have made quite a valuable collection. When I get duplicates, I exchange with other collectors, and thus increase the variety of my stock. Here are some specimens which I lately bought at an auction sale of the effects of a bankrupt bric-a-brac hunter:

Generalstaatsverordnetenversammlungen.

Alterthumswissenschaften.

Kinderbewahrungsanstalten.

Unabhängigkeitserklärungen.

Wiedererstellungbestrebungen.

Waffenstillstandsunterhandlungen.

Of course when one of these grand mountain ranges goes stretching across the printed page, it adorns and ennobles that literary landscape—but at the same time it is a great distress to the new student, for it blocks up his way; he cannot crawl under it, or climb over it, or tunnel through it. So he resorts to the dictionary for help, but there is no help there. The dictionary must draw the line somewhere—so it leaves this sort of words out. And it is right, because these long things are hardly legitimate words, but are rather combinations of words, and the inventor of them ought to have been killed.”

“My philological studies have satisfied me that a gifted person ought to learn English (barring spelling and pronouncing) in thirty hours, French in thirty days, and German in thirty years. It seems manifest, then, that the latter tongue ought to be trimmed down and repaired. If it is to remain as it is, it ought to be gently and reverently set aside among the dead languages, for only the dead have time to learn it.”

Quotes from the Complete Works of Mark Twain (Illustrated). Delphi Classics. Kindle Edition.

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Just Sayin’

I had to share this!  As Mark Twain once said, “The difference between the right word and the almost right word is the difference between lightning and a lightning bug.”  In this case, it’s the difference between a home run and a strike…

Right Word

 

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